When Classical Music Goes Bad

Image courtesy of Syracuse New Times.

Look what I found in the classical record collection that I inherited from my father.

During the two years since he died, I’ve been listening to my dad’s records whenever I exercise on my elliptical strider at home. It’s a way of getting healthier, figuring out which records I’d like to keep, and remembering him.

I’m about halfway through the stack and probably have another two years to go, unless I start exercising a whole lot more.

As a child, I used to hang out in my dad’s “radio room” when he played music after supper. I remember some of the albums vividly, others not so much.

I don’t recall this album (“Switched-on Bach” played on Moog synthesizers) and somehow don’t think it’s going to make my cut! Although all classical music is retro, this is just a little too retro-techno for me.

I wonder what possessed my father to purchase it? Maybe he thought it was cutting-edge at the time.

According to an article this spring in the Syracuse New Times, “Switched-on Bach” was released in 1968.  It “dropped like a bunker buster on the world of classical music, fostering incredulity and pushback from classical music purists, who considered such treatment to be blasphemous.”

Apparently, those objections were quickly quashed by enthusiasm from younger listeners who were otherwise not interested in classical music. The album vaulted to the top of the classical charts where it remained for 49 weeks. It was honored with three Grammies in 1970: Classical Album of the Year, Best Classical Performance by an Instrument Soloist, and Best Engineered Classical Album.

It even sold one million copies (!) – the first classical album to achieve that status.

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Okay, I just listened to it. My judgement hereby is that the music does not stand the test of time despite all the awards it won.

Sorry dad, this one’s going in the rummage sale pile.